This is the second release by Moundabout and it comes to us by way of Rocket Recordings. Moundabout is Paddy Shine of Gnod and Phil Masterson of numerous projects, and together, they create some far-out acoustic sounds. This release brings to mind some aspects of Neo folk, Eastern influences, and also a bit of Americana-style strumming. According to the press release, the album “is named after Cnoc Mór na nGaibhlte (or The Big Hill Of The Galtees) an imposing sandstone and shale peak in Munster, from which vantage point the horizon retreats to impossible-seeming distances.” The album has a way of creating an aural space that identifies with where it was recorded. Sparse instrumentation, odd added sound effects, and the deep singing that almost brings to mind throat singers create a wide-open atmosphere. I would say that this record ventures further out than their first release. At times, it’s quite experimental on tracks like “Step In Out Of That” with its odd use of random percussive sounds. “Sacred & Profane” introduces some electric wah-wah guitar layered over the swampy acoustic work. Like the first record, my favorite moments are when we get some singing. My favorite track is “Living To Give”. The track recalls some of the Red Lorry Yellow Lorry singing style without the pop sensibilities. Another great track is “Instinct, Eye and Mind” Which is an extended folk-style psych jam. The music of Moundabout is somewhat hard to define. If you want to get your ears blown off like a Gnod record, this isn’t going to do it. From that standpoint, it’s challenging listen. If you are a fan of more acoustic tunes like something from the Powers/Rolin Duo this might be up your alley.
Released by Rocket Recordings
